Uhm... so I should understand that SuJu are leftovers from DBSK? Oh my, hard to tell. Ekhem...
We may like SMEnt or hate it, but truthfully, the founder if it has his business head on place. The fact his methods are slightly "cruel" is a totally different story.
As always, read and make up your own mind.
Here:
SM
Entertainment‘s mastermind, Lee Soo Man (60),
recently sat down with Chosun for
an interview, where he revealed his thoughts on a variety of topics, including
his management system, his new groups ‘M1‘ and ‘M2‘, and his possible
venture into the American market. Check out his interview below!
Lee Soo
Man became the first person in the Korean entertainment industry to implement a
systematic and scientific management system. He picked trainees to foster into idol stars, who all signed 13-year
contracts. By doing this, he essentially became the principal of a
school of talented students.
However,
these long term contracts have been
controversial and often referred to as ‘slave contracts’ (after
negotiations with the Fair Trade Commission, the length of the contract term
has been reduced to 7 years if artists are only promoting within Korea, 10
years if going overseas). 13 years is a long time to the trainees, but it’s
also a long time for the management as well, since they are making a 13 year
promise to take responsibility in transforming the trainees into stars.
Lee Soo
Man cited these long term contracts as the biggest contributing factor to
K-Pop’s widespread success all over the world.
He stated,
"Even the U.S. couldn’t establish a management system like ours. Picking trainees, signing a long term contract, and teaching trainees for a long period of time, this just can’t happen in the U.S. U.S. agencies are hired as sub-contractors after an artist has grown and gained popularity on their own. As a result, the agencies only play roles of sub-contractors, and can’t make long term investments in singer-hopefuls.
"Even the U.S. couldn’t establish a management system like ours. Picking trainees, signing a long term contract, and teaching trainees for a long period of time, this just can’t happen in the U.S. U.S. agencies are hired as sub-contractors after an artist has grown and gained popularity on their own. As a result, the agencies only play roles of sub-contractors, and can’t make long term investments in singer-hopefuls.
However, in Korea
and Japan,
whose cultural industries developed later, agencies were free to make such
contracts. That’s why we have been able to make these long term
investments."
While on the topic of ‘industries’, the reporter took the
opportunity to question Lee Soo Man about “CT”. They asked, “You came up with the word CT
(Culture Technology). What is the secret to becoming the winner in the CT
industry?”
Lee Soo Man replied,
“The IT (information technology) industry is often said to be a high risk-high profit industry. However, CT is an industry with an even bigger risk-profit ratio. In an industry like this, the most important thing is to avoid things that happen by chance, or only once.
“The IT (information technology) industry is often said to be a high risk-high profit industry. However, CT is an industry with an even bigger risk-profit ratio. In an industry like this, the most important thing is to avoid things that happen by chance, or only once.
To give an example, a talented artisan possesses
pottery making skills that are unrivaled by anyone. His skills lie in his sense
of touch and his fingertips. If you want to learn these skills, you have no
choice but to train under him. However, if this skill can be recorded carefully
and taught to disciples, and if he could pass this skill down successfully and
receive copyright fees – this could become an industry.
This is what SM Entertainment is
trying to do. Whatever skills I,
or one of our employees possess, are written out and passed down through
training and education. Only then can something become continuous. If this kind
of system cannot be established, everything will only have happened by chance
and end as a one-time occurrence.”
He also added, “People worry that without Lee Soo Man, SM will come to an end, so
that’s why a ‘clone’ has been made to take the place of Lee Soo Man.”
He revealed that this
‘clone’ is a team made up of six people who are specialists in areas like
dance, singing, and mixing music. He stated, “Something better than a copy
of Lee Soo Man will be produced, and SM will become even bigger.”
Patience is Lee Soo Man’s secret to his
management:
The
entertainment industry is essentially about making the right choices; choosing
the best singer, choosing the best staff, choosing the best music. Knowing
this, Lee Soo Man handles each decision with extreme patience. Before making a choice, he looks over
almost an excessive amount of options, but if he thinks that there is no
answer, he will cleanly give it up. There have been many occurrences of
‘sunken costs’ that could not be recovered, but Lee Soo Man doesn’t seem to
care. Rather than risking his neck for
a product that is ‘so-so’, he is willing to invest the time and money until the
best comes out.
Taking
this into consideration, Lee Soo Man introduced the topic of his upcoming
group.
SM Entertainment’s new
group will be made up of two sub groups who have the same concept. One group
will promote in Korea, while
the other group will promote with the same song in China. The groups are currently
referred to as ‘M1‘ and
‘M2‘.
In order
to find the perfect title song for these two groups, SM held an event called
‘Music Camp’ in Denmark and Norway in
August. The event drew 50 composers from all over the world, who came to
compose a song for SM Entertainment over 3 to 6 days. SM Entertainment
showed the composers M1 and M2, and once they explain the concept they wanted
and the rhythm they seeked, the composers were free to come up with their own
songs.
Even
though they held this event twice already, SM Entertainment still hasn’t been
able to pick a suitable title song for M1 and M2. Lee Soo Man stated,
“If you look at it from one point, we have thrown away a lot of money. However, we’re always doing things like that. SM Entertainment has three sources of power: training, adherence to the system, and songs. It usually takes about 4 years to launch a new group. In order to write one song for TVXQ, 50 people had gathered. It required around 4 billion won ($3.5 million USD) for TVXQ to make their debut. In addition, another 4 billion Korean Won was required for album production and promotional fees.”
Lee Soo Man then went on to explain how his patience and
methodical system allowed him to create super idol groups, TVXQ and Super Junior.
After BoA’s successful venture
into Japan, the SM
Entertainment CEO wanted to create a group that could be successful not only in
Asia, but all over the world. Since he had a
limited number of trainees, much deliberation and focus was needed to decide
how to make this group happen. Lee Soo
Man decided to choose the best members out of several trainee teams to create a
new group that could be considered “major league”. This group was none other
than TVXQ.
As for Super Junior, Lee Soo Man revealed, “All the other groups
were on the verge of being dissolved. However, since they signed contracts with
us, we had to take responsibility. So out of these groups, the group that we
raised to do well both in music and variety shows was Super Junior. They put in
their sweat and tears to survive [in the industry], and we felt bad [watching
them] so we tried to help them.”
And what
about SM Entertainment’s plans for expansion into the U.S.?
The reporter asked, “SM TOWN is going to be held at Madison
Square Garden
in New York, are you going to be making an
official venture into the U.S.?”
Lee Soo Man replied,
“No, it’s not like that. Rather than venturing into the U.S., we are just holding a concert as a consolation for the people we consider a part of an imaginary country called SM TOWN. The markets of China and Asia will be bigger than the U.S. market. Thus, it isn’t really necessary to go into the U.S. In the near future, when a ‘Hollywood of Asia’ appears, the cultural center of the world will make a big shift to Asia. Asian songs are not well known in the U.S.? Totally irrelevant because Asia will soon become the center.”
Lee Soo Man’s dreams for the future:
Lee Soo Man is a man who is always dreaming. His current dream involves producing a
musical like‘Billy Elliot’, where he’ll
draw different groups from all over the world and have them perform. He
revealed that the story would be about a mom and a child arguing over classic
and pop music, but end up realizing that better music can be produced when the
two are combined. The musical would feature a combination of past and new songs
of SM Entertainment.
As this interview was being conducted, the news about Teddy Riley composing SNSD’s new song broke out. When asked to comment about
the news, Lee Soo Man commented, “It’s my dream to produce a composer
that makes the most money in the world through SM Entertainment.”
Source + Photo: AKP + Chosun
